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Archive for the ‘My art’ Category

Another great day of painting with Plein Air group “Painting Buds”!

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Hunter Farm, Weddington, NC

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Duke Mansion. Charlotte, NC

Today I was lucky enough to paint with a group of Charlotte artists Plein Air Buds. I hope to continue painting with this group as much as I can! It was a wonderful day. The Duke Mansion was in the process of being redecorated, it was interesting to watch. Not much painting was done since I just met many people for the first time and there were conversations and introductions. Hope to be more accomplished the next time I go to paint outside!16195052_10100815174646910_2271659526649153987_n16195386_10100815174317570_1959280178862776418_n16388290_10100815174357490_2443768686008959549_n

I started with a small sketch (above) and then a bigger sketch (below). 16195136_10100815174432340_8842136982458500817_nScratched out the trees that were light on a dark background with the intention to “finish later”. I have a pile of such “finish later” paintings at home… 15966138_10100815174592020_6479656567394046652_n

It is not the result that matters! It’s the process! Like and share if you agree 🙂

 

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When I was in grad school I had to study my own art and artistic process and write a thesis about it. It was then that I discovered the niche where my art belongs in the Art World – a style called Magic Realism.

The term “Magic Realism” was first used by Franz Roh in his book, Nach-expressionismus (Post-Expressionism) written in 1925.  He later used the same term in 1968 in his new book German Art in the 20th Century.  He also called this new development in art “The New Objectivity” (F. Roh, German Art in the 20th Century. Greenwich: New York Graphic Society, 1968, 112.) By using the term Magic Realism Roh is referring to Post-Expressionistic artwork in which some mystery or secret seems to be hidden within the subject matter.  As opposed to Expressionism, “Magic Realism emphasizes the object and the everyday life in new and unfamiliar ways.  Juxtapositions of sharply rendered and detailed elements, both in the foreground and back ground, are used to develop an air of mystery or ambiguity.  They remind us that there are still many mysteries in life.”  http://www.tendreams.org/magic-art.htm

Roh used the following dichotomies to highlight the differences between Expressionism and Magic Realism:

Expressionism: Magic Realism:
Ecstatic subjects
Rhythmical
Extravagant
Dynamic
Loud
Close-up view
Monumental
Thick color texture
Rough
Emphasis on the visibility of the
painting process
Centrifugal
Expressive deformation
Sober objects
Representational
Puristically severe
Static
Quiet
Close and far view
Miniature
Thin paint surface
Smooth
Effacement of the
painting process
Centripetal
External purification of the object
(Roch. 113)

I found more similarities with my artwork among the attributes of Magic Realism than Expressionism.  I believe that my style developed more towards representational, quiet, static images in painting, turning daily life into eerie form, with a thin paint surface, although I experimented with the opposite qualities as well, never finding much satisfaction in them. Some of my works are more surrealistic (Caged and If I Could Have Opened My Heart), while others (In the Room With Memories or In the Room With the Magic Ball) can be referred to as Magic Realism.

In Art History, Magic Realism acted as a portal to Surrealism, and many artists shifted back and forth from one to another, especially Magritte (Roch, 138).  When I discovered the website ww.tendreams.org  I found a few artists there who I knew before and considered them as influences, but did not realize that they belonged to the Magic Realism group, among them Andrew Wyeth, George Tooker and Charles Scheeler. These artists sometimes crossed the boundaries between Surrealism, Symbolism and Magic Realism. My work also shifts back and forth across the boundaries of Surrealism and Magic Realism, while a large number of other works as you can see on my website www.allaparsons.com are just studies from life: Figure, Still Life and Landscape. I feel the need to work on these Life Studies and I am constantly working to improve my skills in observational drawing and painting. However I consider Magic Realism my major work which takes a longer time to go through the process in my mind, before ripening and appearing, first on sketchbook pages and then on canvas.

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postcard

Dear friends! Please, come to the opening of my exhibition “Magic Realism”.

The reception will be on Friday, March 21 5:30 to 7 p.m. at Danville Museum of Fine Arts & History. The address of the Museum is: 975 Main Street, Danville, VA. Phone (434) 793-5644.

The exhibition will last till May 25.
The reception is free and open to public.

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Image

 

The image in the center is a watercolor painting made from a photo of my mother I took during our trip from Florida when we visited the University of Virginia in 2004. After that the idea was born to use this portrait for a bigger painting and add small scenes on the edges. This idea was influenced by the structure of Russian icons where the main image of a Saint is in the center and the smaller images “klejma” are located on the sides, illustrating the Saint’s life.  So, in “My Mother’s Life” her portrait is surrounded by the most important scenes of her life. I conducted a series of interviews with my mother clarifying which events in her life she considered the most important. Some of the events SHE considered the most important I used in the painting. For example, one is “the birth of her first child, the son” (let me note that it was not me). Some of the events I had to add by myself. Some of the small images are based on real life photos and some on “invented photos”  – the pictures I saw in my imagination, but based on real facts of my mother’s life.

First in the series of small images (top, left) is the detail of a real photograph. My mother is sitting on a chair, she is maybe 2 or 3 years old and her face looks angry. My mother told me she felt angry and unhappy when they took her photo, because she had to pose in an old coat. She inherited that coat from her older brother, as he did from somebody else. She felt that the coat was very old and ugly and she felt terrible that she had her photo taken in such an ugly coat. She later told me about her  thought process: <<Why did we always say in school “Thank you to the Comrade Stalin for our happy childhood!” while in fact I am not that happy – I have such an old coat?>>. That moment I depicted in this first image and that’s why there is a text there in Russian, translated as “Thank you to the Comrade Stalin for our happy childhood!”

Image

Центральный портрет был написан с фото которое было сделано в Америке, на территории университета Вирджинии, когда мама приезжала к нам мы жили во Флориде, в 2004 году.  Я решила использовать это фото для портрета, но потом родилась идея – дополнить портрет сценами из ее жизни, заимствуя идею Русских Икон. В “житийных” иконах в центре всегда стоит большой образ святого, а вокруг – маленькие картинки – “клейма” с изображениями жития святых. Так и в “Жизни Мой Мамы” ее жизнь – наиболее значтельные сцены – по краям в маленьких картинках. С мамой были проведены небольшие интервью, проливающие свет на те части ее жизни, которые она считала наиболее важными. И кое-что было принято во внимание. Так, например, одно из наиболее важных событий в ее жизни было “рождение первого ребенка, сына” (примечание, я не была ни первым ребенком, ни сыном). Но некоторые важные события в жизни были определены мною, по моему собственному усмотрению. Некоторые “картинки из жизни” были прямые заимствования из существующих фотографий, а некоторые – были “изобретенными фотографиями” и я изобразила некоторые моменты просто из воображения.

Первая картинка – это прямое заимствование старой фотографии. Мама маленькая, ей года 2 или 3, она сидит на стуле и лицо ее очень сердитое. По ее словам, она помнит, что была очень недовольна фактом, что ее фотографируют, а она сидит в старом пальто. Пальто ей досталось от старших братьев, а им – еще от кого-то. Она действительно очень страдала от осознания уродливости этого старого пальто, и в те моменты ее маленькую детскую голову пришла мысль – <а почему в школе мы всегда говорим “Спасибо Товарищу Сталину за наше счастливое детство!” ? Когда на самом деле я себя совсем не чувствую счастливой и у меня таое старое пальто?>. Это я и изобразила. В нижней части – текст  “Спасибо Товарищу Сталину за наше счастливое детство!”

Продолжение

Part 2

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My Mother’s Life

My Mother's Life

My Mother’s Life. Mixed media: watercolor, acrylic on canvas and paper.2006.

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Life Drawing

2013.03.02Life Drawing – 1 hour pose. Sunday, March 2, 2013. Greensboro Art Center

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